16,941 Royalty-Free Audio Tracks for "Formal Sections In Music Analysis"

Contrapunctus VII from Bach's Art of Fugue

Brahms Violin Sonata in G, 1, bars 235ff

Siegfried's Horn Call E flat version

Haydn Symphony 82 1st movement bars 51-63

Leitmotif transformed in Hagen's Watch

Carissimi from Jephtha

Schumann, Kind im Einschlummern (Child falling asleep)

Final statement of the theme in a major key by the horns after the end of the cadenza.

Handel Hornpipe from Water Music

Haydn String Quartet Op. 76 No. 3, second movement, bars 80-81

Edi beo, English medieval "twinsong"

Solo piano statement of theme in the cadenza

Handel Passacaille from Suite in G minor bars 1-4

Cascading arpeggios on celesta from Sugar Plum Fairy

A MIDI recording of the first two bars of Fugue in C Minor, BWV 847, by J.S. Bach.

Wagner, Tristan Prelude, closing bars

Erl King - arrangement by Liszt opening bars

A Major Scale, Triads, and Fifths Equal.

Tristan-motif

Schumann Piano Concerto Finale bars 120-127

Haydn Minuet from Quartet in D minor Op. 76

Klangbeispiel eines Pralltrillers (musikalische Verzierung), Beginn mit oberer Nebennote; Instument: Piano

Klangbeispiel eines Pralltrillers (musikalische Verzierung); Instument: Piano

Klangbeispiel eines kurzen Vorschlags (musikalische Verzierung); Instument: Piano

Klangbeispiel eines langen Vorschlags (musikalische Verzierung); Instument: Piano

Major version of the theme, with horns playing the melody

Dufay Resvelons nous

Tchaikowsky Symphony 6, finale bars 1-6

Golliwogg's cake-walk bars 1-2

Buxtehude, Psalm 42 "Quem ad modum desiderat cervis"

Agincourt carol - Deo gracias

Schutz Heu mihi, Domine from Cantiones Sacrae

Brahms Symphony No. 2, finale, bars 135-142

Cloches a travers le feuilles

Tutti statement of the theme.

Beethoven canon from piano sonata in A, Op. 101

Schubert, 'Die Stadt' from Schwanengesang, piano postlude

J.S.Bach from Cantata BWV80 "Ein' feste Burg ist unser Gott", Aria for soprano with oboe obbligato

Hebrides Overture opening theme

Vivaldi, Summer from the Four Seasons, bars 26-30

March to the Scaffold bars 1-4 for audio

Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well Tempered Clavier, Book I, m.1-2

Ravel Quartet, second movement

Erl King - Berlioz version for audio replacement

Tantum ergo (nach Ett); Gotteslob (1975) Hildesheim 869; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 883

hymnsandcarolsofchristmas.com The First Nowell from an 1879 book by Henry Ramsden Bramley

Felix Mendelssohn Bartholdy, Songs Without Words, Book 2, Op. 30, No. 6, Allegretto tranquillo in F-sharp minor ("Venetian Gondola Song No. 2") Felix Mendelssohn Bartholdy, Lieder ohne Worte, Heft 2, op. 30, Nr. 6, Allegretto tranquillo in fis-Moll, "Venetianisches Gondellied Nr. 2" Piano: Membeth, Dezember 2011

A live recording from the KWKH Louisiana Hayride out of Shreveport, LA: George Jones sings I'm Ragged But I'm Right Live-Mitschnitt des KWKH Louisiana Hayrides aus Shreveport, LA: George Jones singt I'm Ragged But I'm Right

Camille Saint-Saëns - Danse macabre (Orchestre de l'Association des Concerts Colonne, dir. Louis Fourestier, 17-18 février 1953)

Danse macabre by Saint-Saëns performed by the Philadelphia Symphony Orchestra under Leopold Stokowski. "Record date is 4/29/1925, with master numbers CVE-27929 and CVE-27930. Also, the subtle "VE" stamp reveals this to be an early electrical recording. It doesn't have quite the brilliance of the 1927 and -28 Victor productions, but still captures the violins nicely. Victor 6505-A and B, concatenated from the original 2 sides."